Ahh, amazing! Frisell is always so good in duo and trio settings, and the interplay here is truly amazing, with the multitracking and processing not detracting from that essential musical conversation at all. Music of extraordinary depth and beauty.
It doesn't take long for Tim Berne to assert his presence on Theoretically, his outstanding 1986 collaboration with Bill Frisell. Over the guitarist's carefully orchestrated acoustic parts, the alto player shrieks and soars like, well, Tim Berne. The overall feel of this record puts it almost into ambient territory, as Frisell's volume swells and Berne's upper register squeals blend into a single fabric of weighty yet spacious sound. It is a place where melody emerges almost as a surprise from a strangely menacing backdrop of pure atmosphere. There are moments where the music becomes quite intense, where the layer upon layer of guitar and saxophone create an extremely unsettling feeling in the mind of the listener, but also moments of relative peace, although never without something disturbing lurking around the edges. There are also moments that appear more traditional, in which the Monkish quality of Frisell's music comes to the forefront, as on the charming head to "Preview." It all works, no doubt about it, but there is room to question the quality of the source material. Overall, this is a good, if not particularly great, album from two musicians at the top of their game.
AllMusic Review by Daniel Gioffre
released August 1, 1984
Tim Berne: Composer, Primary Artist, Producer, Sax (Alto)
Bill Frisell: Composer, Guitar (Acoustic), Guitar (Electric), Performer, Primary Artist, Producer
Jon Rosenberg: Engineer, Producer
Listening to this again today and it's terrific. This is different from most solo saxophone albums in a good way. Great melodic lines played with Tim's unique dark alto sound. Really like the track Curls. torzano